Jane Tingley

Jane Tingley is an artist, curator, Director of the SLOlab: Sympoietic Living Ontologies Lab and Associate Professor at York University. Her studio work combines traditional studio practice with new media tools, and spans responsive/interactive installation, performative robotics, and telematically connected distributed sculptures/installations. Her works is interdisciplinary in nature and explores the creation of spaces and experiences that push the boundaries between science and magic, interactivity, and playfulness, and offer an experience to the viewer that is accessible both intellectually and technologically. Using distributed technologies, her current work investigates the hidden complexity found in the natural world and explores the deep interconnections between the human and non-human relationships. As a curator her interests lie at the intersection art, science, and technology with a special interest in collaborative creativity as impetus for innovation and discovery. Recent exhibitions include Hedonistika (2014) at the Musée d’art contemporain (Mtl, CA), INTERACTION (2016) and Agents for Change (2020) at THE MUSEUM (Kitchener, CA). As an artist she has participated in exhibitions and festivals in the Americas, the Middle East, Asia, and Europe, including translife International Triennial of Media Art at the National Art Museum of China, Beijing, Elektra Festival in Montréal (CA) and the Künstlerhause in Vienna (AT). She received the Kenneth Finkelstein Prize in Sculpture (CA), the first prize in the iNTERFACES – Interactive Art Competition (PT).

Jane Tingley
Jane Tingley with with Faadhi Fauzi and Ilze (Kavi) Briede, (ex)tending towards, 2023, (3D visualization, cork, electronics, earth, point cloud). Courtesy of the artists. Photo: Jane Tingley

From the Archives

  • 2023 / core / exhibition

    Group Exhibition
    more-than-human

    more-than-human features ten contemporary artists who explore human-natural relationships through technology, promoting new ways of understanding the natural world.  Each interactive artwork uses digital media to challenge, excite, and shift our collective understanding of the more-than-human mind. Inspired by an ethics of inclusion that acknowledges the rights of nature, the exhibition questions what it means to be alive and have agency.