From the artist: “I began to play with impressionist photography during the pandemic when it seemed like life had been turned upside down, shaken and blurred. I loved the washes of colour and soft shapes and blurs that using the camera differently could create. It was also nice to forget about rules and being a technician in favour of trying to be a bit of a poet or painter.

I wanted to try to create images that were about something rather than of something.

In the words of the wonderful photographer Minor White, ‘One should not only photograph things for what they are … but for what else they are.'”